(a project of Mirravision Trust, Financed by Auroshakti Foundation)

Chapter I
Chapter II - Part 1
Chapter II - Part 2
Chapter II - Part 3
Chapter II - Part 4
Chapter III - Part 1
Chapter III - Part 2
Chapter III - Part 3
Chapter III - Part 4
Chapter III - Part 5
Chapter III - Part 6
Chapter IV - Part 1
Chapter IV - Part 2
Chapter IV - Part 3
Chapter IV - Part 4
Chapter V-Part 1
Chapter V - Part 2
Chapter V - Part 3
Chapter V - Part 4
Chapter V - Part 5
Chapter VI - Part 1
Chapter VI - Part 2
Chapter VI - Part 3
Chapter VI - Part 4
Chapter VI - Part 5
Chapter VII - Part 1
Chapter VII - Part 2
Chapter VII - Part 3
Chapter VII - Part 4
Chapter VII - Part 5
Chapter VIII - Part 1
Chapter VIII - Part 2
Chapter VIII - Part 3
Chapter VIII - Part 4
Chapter IX - Part 1
Chapter IX - Part 2
Chapter X - Part 1
Chapter X - Part 2
Chapter X - Part 3
Chapter X - Part 4
Chapter X - Part 5
Chapter X - Part 6
Chapter XI - Part 1
Chapter XI - Part 2
Chapter XI - Part 3
Chapter XI - Part 4
Chapter XII - Part 1
Chapter XII - Part 2
Chapter XII - Part 3
Chapter XII - Part 4
Chapter XII - Part 5
Chapter XIII - Part 1
Chapter XIII - Part 2
Chapter XIV - Part 1
Chapter XIV - Part 2
Chapter XIV - Part 3
Chapter XIV - Part 4
Chapter XIV - Part 5
Chapter XV - Part 1
Chapter XV - Part 2
Chapter XV - Part 3
Chapter XV - Part 4
Chapter XV - Part 5
Chapter XV - Part 6
Chapter XV - Part 7
Chapter XV - Part 8
Chapter XV - Part 9
Chapter XVI - Part 1
Chapter XVI - Part 2
Chapter XVI - Part 3
Chapter XVI - Part 4
Chapter XVI - Part 5
Chapter XVI - Part 6
Chapter XVI - Part 7
Chapter XVI - Part 8
Chapter XVI - Part 9
Chapter XVI - Part 10
Chapter XVI - Part 11
Chapter XVI - Part 12
Chapter XVI - Part 13
Chapter XVII - Part 1
Chapter XVII - Part 2
Chapter XVII - Part 3
Chapter XVII - Part 4
Chapter XVIII - Part 1
Chapter XVIII - Part 2
Chapter XVIII - Part 3
Chapter XVIII - Part 4
Chapter XVIII - Part 5
Chapter XVIII - Part 6
Chapter XVIII - Part 7
Chapter XVIII - Part 8
Chapter XVIII - Part 9
Chapter XVIII - Part 10
Chapter XIX - Part 1
Chapter XIX - Part 2
Chapter XIX - Part 3
Chapter XIX - Part 4
Chapter XIX - Part 5
Chapter XIX - Part 6
Chapter XIX - Part 7
Chapter XX - Part 1
Chapter XX - Part 2
Chapter XX - Part 3
Chapter XX - Part 4
Chapter XX - Part 4
Chapter XXI - Part 1
Chapter XXI - Part 2
Chapter XXI - Part 3
Chapter XXI - Part 4
Chapter XXII - Part 1
Chapter XXII - Part 2
Chapter XXII - Part 3
Chapter XXII - Part 4
Chapter XXII - Part 5
Chapter XXII - Part 6
Chapter XXIII Part 1
Chapter XXIII Part 2
Chapter XXIII Part 3
Chapter XXIII Part 4
Chapter XXIII Part 5
Chapter XXIII Part 6
Chapter XXIII Part 7
Chapter XXIV Part 1
Chapter XXIV Part 2
Chapter XXIV Part 3
Chapter XXIV Part 4
Chapter XXIV Part 5
Chapter XXV Part 1
Chapter XXV Part 2
Chapter XXV Part 3
Chapter XXVI Part 1
Chapter XXVI Part 2
Chapter XXVI Part 3
Chapter XXVII Part 1
Chapter XXVII Part 2
Chapter XXVII Part 3
Chapter XXVIII Part 1
Chapter XXVIII Part 2
Chapter XXVIII Part 3
Chapter XXVIII Part 4
Chapter XXVIII Part 5
Chapter XXVIII Part 6
Chapter XXVIII Part 7
Chapter XXVIII Part 8
Book II, Chapter 1, Part I
Book II, Chapter 1, Part II
Book II, Chapter 1, Part III
Book II, Chapter 1, Part IV
Book II, Chapter 1, Part V
Book II, Chapter 2, Part I
Book II, Chapter 2, Part II
Book II, Chapter 2, Part III
Book II, Chapter 2, Part IV
Book II, Chapter 2, Part V
Book II, Chapter 2, Part VI
Book II, Chapter 2, Part VII
Book II, Chapter 2, Part VIII
Book II, Chapter 3, Part I
Book II, Chapter 3, Part II
Book II, Chapter 3, Part III
Book II, Chapter 3, Part IV
Book II, Chapter 3, Part V
Book II, Chapter 4, Part I
Book II, Chapter 4, Part II
Book II, Chapter 4, Part III
Book II, Chapter 5, Part I
Book II, Chapter 5, Part II
Book II, Chapter 5, Part III
Book II, Chapter 6, Part I
Book II, Chapter 6, Part II

A Psychological Approach to Sri Aurobindo's

The Life Divine

Chapter XV Part 4

The Origin of Space and Time

Any creation proceeds from a formative, pre-determined 'idea'. The artist creates a work of art that originates in some creative idea. It is therefore perfectly logical to presume that the creation of the universe, the creation of the world of multiplicity must also originate from some ‘Master-Idea’ in the mind of some ‘MASTER-ARTIST’. That Master-Artist or Master-Creator is called ‘God’ in ordinary parlance.

The problem is that the human mind with its limitations cannot fathom the depth and range of the creator’s Mind and creates ‘God’ in the image of a magnified Man, who is the culmination of all our highest possibilities and potentialities.

Sri Aurobindo conceives that the phenomenon of 'creation emanates from the creative Consciousness of the 'SUPERMIND'.

The Supermind has two operative principles:

(a) The Comprehending principle – This enables the creative idea to be held as an in-built program even in an indivisible and unitary consciousness. This provides the metapsychological concept of the creator as an 'IMPERSONAL GOD'
The comprehending principle is actually 'a cosmic vision which is all-comprehensive, all-pervading, all-inhabiting. Because it comprehends all things in being and static self-awareness, subjective, timeless, spaceless, therefore it comprehends all things in dynamic knowledge and governs their objective self-embodiment in Space and Time'. (The Life Divine, pg. 148)

(b) The Apprehending principle – This enables the pre-programmed VISION of creation to move from a consciousness that is ‘INDIVISIBLE’ and marked by ‘UNITY’ towards a divisible and multiple manifestation that is cast in the new terms of Mind, life and Matter. This naturally implicates two important shifts:

1. The equal, pervasive consciousness of the comprehensive Supermind must shift to an unequal concentration of consciousness (Ibid, pg 152). The unequal concentration gives rise to ‘the beginning of self-division,-- or of its phenomenal appearance’ (Ibid, pg151).This is necessary, as creation is comprised of forms that are variegated and not monotonously same. After all, we have to explain a world that spans from the inanimate to the animate, from the saint to the sinner. This shift from an equal to an unequal status is a shift from the spaceless to spatial reality.

2. The unitary consciousness of the Comprehensive Supermind that no multiplicity can efface must shift to a multiple distribution of Force (Ibid, pg152-153). Force or Shakti is implicit in Consciousness and is necessary to execute an idea to its fruition. After all, we have to explain the variety, range and depth of the 'Force' in creation – that spans from nuclear energy in material substance to the life-energy in biological substance and will-power in psychological substance. As distribution of Force means 'movement' of force, this shift from the poise of unity to multiplicity is actually a shift from the 'timeless' to 'temporal' reality. The Apprehending Principle of the Supermind provides the metapsychological basis of the 'personal' God.


The non-spatial Reality is the unitary consciousness, all- pervasive, all- comprehending where the movement of creation has not been initiated. The moment creation starts, the undisturbed, primal consciousness gets disturbed and there is an UNEQUAL concentration of consciousness- as if 'islands of condensation’ have been formed in what was so long a vast, formless, ethereal ocean. Creation implies a world of veritable 'forms' and when 'forms' appear in the formless, they have to have a circumscribed field of manifestation. This divisible field of manifestation that appears in the formless indivisible, primal, ethereal consciousness is 'space'. Therefore, it can be said that space is an OBJECTIVE EXTENSION OF CONSCIOUSNESS. It is marked by ‘DIVISIBILITY’ in contrast to the indivisible, unitary, primal consciousness. 'Space is a STABLE extension measured out by divisibility of substance; at a certain point in that divisible extension Mind places itself and regards the disposition of substance around it'(Ibid, pg 145)

'Space' alone cannot create a world of forms. 'Forms' created cannot remain in isolation to constitute a world of multiplicity; they have to construct a harmony between themselves. This harmony cannot be a ‘static’ affair- it must be dynamic and progressive. This automatically means that the divisibly of space must be complemented by successions in Time, the ‘stable’ extension of consciousness must be complemented by a simultaneous 'mobile' extension.


The non-temporal reality is also the unitary, primal consciousness where creation has not been initiated. The moment creation is initiated and a world of forms manifest in divisible space, it becomes imperative that that there should be a regulated interaction between different forms so that a harmony is established. Harmony itself is a phenomenon that cannot remain static for as forms ‘evolve’; harmony has also to get upgraded in higher poises. This requires movement, progression, and ascension. This becomes possible only when there is a multiple distribution of the Force or Shakti inherent in the primal consciousness (the ‘Consciousness- Force’ or ‘Chit – Shakti). Movement or Progression is measured as successions of Time. TIME IS THUS A SUBJECTIVE EXTENSION OF CONSCIOUSNESS. It is ‘a MOBILE extension measured out by the succession of the past, present and future in which Mind places itself at a certain standpoint whence it looks before and after’ (Ibid, pg 144-145).

'Conscious Force' as Space and Time.

The ordinary mind measures Time by event and Space by matter. Actually, at the level of the Supermind where creation is initiated from an uncreative, primal, ethereal Consciousness, there is 'the pure movement of Conscious-Force which constitutes Space and Time; these two are then merely two aspects of the universal force of Consciousness which in their intertwined interaction comprehend the warp and woof of its action upon itself.' (Ibid, pg. 145)

'This development and progress of the world according to an original truth of its own being implies a succession of Time, a relation in Space and a regulated interaction of related things in Space to which the succession of Time gives the aspect of Causality'(Ibid, pg 144)

As in a dark beginning of all things,
A mute featureless semblance of the Unknown
Repeating for ever the unconscious act,
Prolonging for ever the unseeing will,
Cradled the cosmic drowse of ignorant Force
Whose moved creative slumber kindles the suns
And carries our lives in its somnambulist whirl......(Sri Aurobindo,Savitri,pg1)

Date of Update: 25-Jul-14   

- By Dr. Soumitra Basu


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